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Yangzhou Embroidery: Although Yangzhou Embroidery and Suzhou Embroidery belong to the same category, due to the influence of Yangzhou culture in previous dynasties and the influence of Yangzhou Eight Eccentric Painting School, following the cultural connotation and pen and ink interest of Chinese painting, "Antique Landscape Embroidery" and "Ink Freehand Embroidery" gradually formed two major features of Yangzhou Embroidery. Yangzhou embroidery originated in the Han Dynasty, flourished in the Tang and Song Dynasties, flourished in the Ming and Qing Dynasties, and has a history of two thousand years. As early as the beginning of the Western Han Dynasty, Emperor Gaozu Liu Bang named his nephew Liu Bi as King of Wu, and gorgeous Yangzhou embroidery was hung on the walls of the palace. In the Tang Dynasty, Yangzhou was a famous economic metropolis at home and abroad, with a prosperous handicraft industry and a well-developed embroidery industry. Song Dynasty is an important turning point of Yangzhou embroidery, that is, from the embroidered Buddha statue in Tang Dynasty to embroidered calligraphy and painting, from practicality to appreciation. The embroidered articles are fine in needle and thread, beautiful in color and full of life interest. At that time, the literati advocated piano, chess, calligraphy and painting, and expressed their affection for flowers, birds, fish and insects, which greatly promoted the transfer of Yangzhou's humanistic art and even aesthetic taste. Influenced by it, Yangzhou embroidery gradually increased, and the acclaimed Shuang Mianxiu appeared. The embroidery industry in Ming Dynasty was further developed due to the advocacy of the imperial government. The characteristics of Yangzhou embroidery are that the works are mostly taken from the excellent landscapes and figure paintings of many famous artists in the past, with profound artistic conception, clear composition level and elegant and soft colors. Each piece of work is meticulous, gorgeous, neat and smooth. Embroiderers try their best to express the natural and vivid charm of Chinese freehand brushwork and the exquisite and rigorous meticulous painting with exquisite skills.
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